The Catechetical Review - Communicating Christ for a New Evangelization

Inspired Through Art: Mary, Spouse of the Holy Spirit – The Mystery of Michelangelo’s Holy Family

Authored by James Patrick Reid in Issue #9.3 of Catechetical Review

“What are those five naked boys doing in my Holy Family?”[1] Thus exclaims Agnolo Doni in Irving Stone’s novel The Agony and the Ecstasy upon seeing the tondo (round painting) he had commissioned from Michelangelo. Whether or not the real Agnolo Doni found the picture surprising in 1509, viewers today may well find the inclusion of such background figures strange.

The presence of five nude youths is not the only puzzling thing about the Doni Tondo. The arrangement of the principal figures is most unusual. Although the Virgin Mary being seated on the ground is a recognized type, known as the “Madonna of Humility,” here she has bare, muscular arms, and her gesture is vigorous, even athletic. St. Joseph sits behind and above Mary—perhaps on a low stool or a rock, but the support remains mysterious—with his knees framing the Virgin. Mary has just lifted Jesus up and is releasing her hold as Joseph firmly grasps the child.

In paintings as in parables, the strange elements can serve as keys to interpretation. The multiple puzzling features of Michelangelo’s tondo, far from discouraging us, guide us in our search for the picture’s meaning.

Why is Joseph seated higher than Mary? Well, he is clearly the head of the family. Perhaps that is all that his position in the painting is meant to suggest. With this thought in mind, let us continue looking.

No other known depiction of the Holy Family shows Mary sitting between Joseph’s knees. Elsewhere in art, this position alludes to a parent-child relationship, as in Masaccio’s Madonna and Child with Saint Anne in the Uffizi Gallery, or Michelangelo’s own Bruges Madonna. Of course, Joseph is not Mary’s father; yet, the arrangement insists on Mary’s role as a daughter. Mary was the daughter of St. Joachim, but nothing in the painting suggests that the man depicted is Joachim rather than Joseph. His bald crown and white beard, and his blue tunic and orange cloak, are all common attributes of St. Joseph in Renaissance art. The puzzle remains. Is there anyone else to whom Mary is a daughter and with whom this figure of Joseph can be associated?

Mary is, through adoption in Christ, a daughter to God. We see St. Joseph, head of the Holy Family and foster father of Jesus, but Michelangelo strongly suggests that, at the same time, we also think of God the Father. In this light, we can find a deeper meaning in the placement of Joseph’s head at the top of the circle. Joseph is the head of the Holy Family, but all paternity takes its name from the fatherhood of God (Eph 3:14–15). Moreover, as the foster father of Jesus, Joseph acts in loco parentis toward the Son of God. Notice that the heads of Jesus and Joseph are on the same level at the summit of the painting, pointing to the fact that Jesus is consubstantial with, and hence equal to, the Father.

The rest of this online article is available for current subscribers.

Start your subscription today!


This article is from The Catechetical Review (Online Edition ISSN 2379-6324) and may be copied for catechetical purposes only. It may not be reprinted in another published work without the permission of The Catechetical Review by contacting [email protected]

Articles from the Most Recent Issue

Children's Catechesis — “Help Me to Come to God…By Myself!” The Need for the Child’s Independent Work in Catechesis
By Sr. Mary Michael Fox, OP
Those who have children and those who teach children have firsthand experience of the child’s need to do his own work. The very young child expresses this need quite bluntly: “I do it!” As the child matures, the expression becomes more nuanced and polite: “May I try?” In what appears to be a regression, the adolescent expresses the same need,... Read more
Encountering God in Catechesis — From Pain to Planting Seeds
By Catechists' Personal Testimonies
Last year was one of the most difficult years of my life. It was my first year as a theology teacher, and even though I had been well prepared through my secondary education program and ministry experience, I was not prepared for the constant criticism and judgment I would receive from my coworkers. These comments filled my mind with self-doubt,... Read more
A Spirituality of Action: Christ’s Apostolic Model of Contemplation and Action
By Philip Couture
The Church exists for the purpose of sharing the Gospel and inviting the whole world to salvation and relationship in Christ. Consequently, “a Christian vocation by its very nature is also a vocation to the apostolate,” that is, a call to mission. [1] Many are enthused to receive such a dignified call, but these sentiments are not self-sustaining... Read more

Pages

Watch Tutorial Videos

We've put together several quick and easy tutorial videos to show you how to use this website.

Watch Now